Saturday, November 13, 2021

Ann Richards, Stan Kenton - Two Much!

Bitrate: MP3@320K/s
Time: 40:04
Size: 91.7 MB
Styles: Jazz vocals
Year: 1961/2017
Art: Front

[3:53] 1. It's A Wonderful World
[3:59] 2. The Morning After (The Night Before)
[3:52] 3. I Was The Last One To Know
[4:34] 4. My Kinda Love
[4:07] 5. I Got Rhythm
[4:34] 6. No Moon At All
[3:46] 7. Don't Be That Way
[4:07] 8. Suddenly I'm Sad
[3:13] 9. Nobody Like My Baby
[3:53] 10. All Or Nothing At All

Ann Richards never received the same acclamation as her more famous vocal predecessors with the Stan Kenton Orchestra, Anita O'Day, June Christy, and Chris Connor. While these three went on to carve out successful careers as singles, Richards, after her divorce from Kenton, slowly sank into obscurity. With a style closer in style to O'Day's, Richards could swing out a tune with the best of them and could scat with vim and verve. She demonstrates these talents on "It's a Wonderful World" and "All or Nothing at All." She could also credibly deliver on blues tunes as on "The Morning After (The Night Before)." Richards could move to a lower range and get torchy, which she does on "My Kinda Love." Then she slow-drags "I Got Rhythm," riding atop the doleful tones of the trombone section and a muted trumpet. While he didn't have the big names that peppered earlier bands, this Kenton group could swing and play as a cohesive group. Like all Kenton bands, it featured the high note blaring trumpet. Here it's Bud Brisbois that supplied the upper atmospheric notes on the horn. There are a couple of selections where Richards is backed by just a small group, as on "No Moon at All," where she doesn't have to compete with the larger aggregation, showing off her voice to its full advantage. With a slim discography, this album is an important contribution to the legacy of a good singer whose career was far too short. ~Dave Nathan

Two Much!

Gregoire Maret, Romain Collin & Bill Frisell - Americana

Styles: Harmonica, Piano And Guitar Jazz
Year: 2020
File: MP3@320K/s
Time: 54:31
Size: 125,4 MB
Art: Front

(3:08) 1. Brothers in Arms
(3:57) 2. Small Town
(6:16) 3. Rain Rain
(4:02) 4. San Luis Obispo
(5:15) 5. Back Home
(5:27) 6. Wichita Lineman
(7:07) 7. The Sail
(8:14) 8. Re: Stacks
(6:11) 9. Still

Harmonica player and composer Gregoire Maret is not a familiar name in the U.S. but he should be. The New York-based artist has recorded with Jimmy Scott, Jacky Terrasson, Steve Coleman and Five Elements, Charlie Hunter, Terri Lyne Carrington, Pat Metheny and many others. The very bankable musician has appeared on over seventy-five releases as a sideman and has recorded as a leader on three albums. Americana unites Maret with pianist, composer and label-mate Romain Collin, along with legendary guitarist Bill Frisell, and drummer Clarence Penn on one track.

The music on Americana comes from the perspective of two immigrants to the U.S.; the Swiss-native Maret, and Frenchman Collin. On many tracks Frisell adds the authenticity he brought to his own Nonesuch Records projects such as Nashville (1997), Good Dog, Happy Man (1999) and Disfarmer (2009). Maret and Collin often perform as a duo and open the album with the unexpected; Scottish-born Mark Knopfler's Dire Straits song "Brothers in Arms" feels like a natural here. Frisell then joins in on two of his own compositions, "Small Town" and "Rain, Rain" given a fresh feel with Maret's contributions.

Collin's "San Luis Obispo" appeared on the pianist's Press Enter (ACT Music, 2015); a beautiful Appalachian-tinged lullaby, sparse and haunting in its original piano form, Frisell and Maret give it a down-to-earth reading. Maret's "Back Home" is the only appearance of Penn who adds some light brushwork. The trio takes on the Jimmy Webb classic "Wichita Lineman" and the Justin Vernon composition "Re: Stacks" from the Dirty Bourbon River Show debut For Emma, Forever Ago (Self-produced, 2007). In Collin, Maret and Frisell we have artists of three origins, entangled together in the early influences of U.S. music; they urge the listener to hear common threads. Americana is a journey guided by distant lights, and the musicians lead each other in an alliance that is both conversant and spiritual. Highly recommended.~KARL ACKERMANN https://www.allaboutjazz.com/americana-gregoire-maret-romain-collin-bill-frisell-act-music

Personnel: Gregoire Maret: harmonica; Romain Collin: piano; Bill Frisell: guitar, electric; Clarence Penn: drums.

Additional Instrumentation: Romain Collin: piano, Moog Taurus, pump organ, effects; Bill Frisell: electric guitar, acoustic guitar, banjo; Clarence Penn: drums.

Americana